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Click above image for larger picture and better detail.
In 1943 the legendary swing club and watering hole, The Bamboo Room, burnt to the ground under mysterious circumstances - the cause of the fire was never determined.
The Bamboo Room was owned by Bob Murphy and was a favorite dance club for WW2 service men. It was so popular that a sign was hung on its burnt-out frame stating, "20,000 Santa Ana, Army Air Force Cadets are out of a home." Murphy managed to rebuild, but the Bamboo Room was torn down for good in the 1950s. The site is now a restaurant parking lot.
The year of the fire, Wingy Manone secured a contract with Bob Murphy for an ongoing engagement at the Bamboo Room. The "terms of employment" (which can be seen on the scan) were as follows:
"Opening Sat. April 17 and continuing through Sun. April 25, 1943.
Continuation thereafter subject to mutual agreement."
Ironic wording considering the outcome. The continuation (or lack thereof) was determined by other forces altogether.
On the contract you will see a rubber stamped: "ENGAGEMENT TERMINATED" with the hand written date, "5-30-43". So apparently Wingy and his boys played on past April 25, but were out of a job after the fire.
To view a close-up of the contract, please click the above image. The contract is signed by both Manone and Bamboo Room owner, Bob Murphy.
Also of interest is the information on the back of the contract. All band members and social security numbers are listed there, the lineup being Wingy Manone, Howard Claunch, Curt Garrett, Harold Robbins, and Irving Verrett.
Click here to view band member information on the back of the contract.
And on the lower portion of the back there is some interesting notations about mileage expenses and union scale pay for band members.
Click here to view union scale notation on the back of the contract.
Wingy Manone was clearly not the luckiest man in the jazz world. He earned the nickname "Wingy" due to the fact that he lost an arm in a New Orleans trolley accident as a child. And although he never got the recognition he deserved as a great player and composer, the catchy riff of his song, "Tar Paper Stomp", became became a huge hit after being lifted and transformed into "In the Mood".
A brief bio of Wingy Manone by Scott Yanow of the All Music Guide appears below with Scott's kind permission:
Wingy Manone was an excellent Dixieland trumpeter whose jivey vocals were popular and
somewhat reminiscent of his contemporary, Louis Prima. He had lost his right arm in a streetcar
accident when he was ten, but Manone (who Joe Venuti once gave one cuff link for a Christmas
present) never appeared to be handicapped in public (effectively using an artificial arm). He played
trumpet in riverboats starting when he was 17, was with the Crescent City Jazzers (which later
became the Arcadian Serenaders) in Alabama, and made his recording debut with the group in the
mid-'20s. He worked in many territory bands throughout the era before recording as a leader in
1927 in New Orleans. By the following year, Manone was in Chicago and soon relocated to New
York, touring with theater companies. His "Tar Paper Stomp" in 1930 used a riff that later became
the basis for "In the Mood." In 1934, Manone began recording on a regular basis and after he had a
hit with "The Isle of Capri" in 1935, he became a very popular attraction. Among his sidemen on his
1935-1941 recordings were Matty Matlock, Eddie Miller, Bud Freeman, Jack Teagarden, Joe
Marsala, George Brunies, Brad Gowans, and Chu Berry. In 1940, Manone appeared in the Bing
Crosby movie Rhythm on the River, he soon wrote his humorous memoirs Trumpet on the Wing
(1948), and he would later appear on many of Crosby's radio shows. Wingy Manone lived in Las
Vegas from 1954 up until his death and he stayed active until near the end, although he only
recorded one full album (for Storyville in 1966) after 1960. -- Scott Yanow
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