Click to enlarge

SAUTER-FINEGAN ORCHESTRA <br> Memories of Goodman and Miller <br> 1950s (RCA Victor Records - Out of Print)

Details: RCA Victor LPM-1634, mono, deep groove, black label with dog logo above hole & "long play" at bottom perimeter, year of release unknown, probably 1958 or 1959.

Condition: Vinyl VG+ (very clean!) Jacket VG

Out of Print and Not Available as CD

From the All Music Guide:
The Sauter-Finegan Orchestra was one of the more unusual bands associated with the Swing Era, not least because it did not even come into existence until after the Swing Era was over. The outfit's two leaders, Edward Ernest (Eddie) Sauter (b. Dec 2, 1914, in New York [Brooklyn], NY; d. Apr 21, 1981, in West Nyack, NY) and William J. (Bill) Finegan (b. Apr 3, 1917, in Newark, NJ), were each prominent big band arrangers. Sauter, who played mellophone, trumpet, and drums, was educated at Columbia University and the Juilliard School of Music. During the 1930s and '40s, he played, arranged, and wrote tunes for bands led by Archie Bleyer, Charlie Barnet, Red Norvo, Benny Goodman, Artie Shaw, Tommy Dorsey, Woody Herman, and Ray McKinley. At the same time, Finegan was an arranger for Tommy Dorsey, Glenn Miller, Horace Heidt, and Les Elgart. With the decline of the Swing Era, he went to study at the Paris Conservatory in the late 1940s and early '50s, corresponding with his friend Sauter, who was staying in a sanatorium recovering from a bout of tuberculosis. The two decided to unite to create arrangements that would make full use of their creativity, without regard to commercial considerations. That meant a willingness to try unusual things, including such instruments as piccolo, flute, oboe, bass clarinet, harp, English horn, recorder, tuba, glockenspiel, tympani, and kazoo. (Finegan even beat on his chest to imitate the sound of horses' hooves in "Midnight Sleighride"). As a result, while the band was hailed by some for its imaginativeness, it reminded others of the style of musical humorist Spike Jones.

The tracks are:

The Glenn Miller Tunes:
1. Little Brown Jug
2. Sunrise Serenade
3. Swing Low, Sweet Chariot
4. Song of the Volga Boatman
5. Moonlight Sonata
6. Tchaikovsky's Piano Concerto

The Benny Goodman Tunes:
7. Clarinet A La King
8. Benny Rides Again
9. Superman
10. Ramona
11. Soft as Spring

PLEASE NOTE: Unless otherwise noted, all of the LPs we are offering are used. Our grading system for each LP is strictly visual, as we don't have time to listen to each record from beginning to end. Unless otherwise stated, there is usually a small price sticker affixed somewhere on the back cover.

Return to Jazz Vinyl Main Page


4068211509$13.95

We are a Yahoo! Shopping Five Star Site!
"...your excellent customer service is a fine example of the graciousness and Southern hospitality for which New Orleans is famous"
..find out what prompted the Office of the Mayor of New Orleans to write this nice letter to Louie.

DANNY DIGS US! Check out this groovy note to Louie from Dan Akroyd aka/ "Elwood Blues":



Click here to see what we have THIS WEEK ON EBAY

Click here for info about our shipping rates.

Email Louie with your requests and questions about American Roots Music. louie@thejukejoint.com







FREE KINDLE BOOK
Fully Illustrated:

Also available...

The Sound of Building Coffins
by Louis Maistros

Signed copies available exclusively on the net here at Louie’s Juke Joint, just click this link to order!

Quotes:

"Louis Maistros has written a lyrical, complex, and brave novel that takes enormous risks and pulls them all off. He is a writer to watch and keep reading, a writer to cherish."
Peter Straub

"The Society of North American Magic Realists welcomes its newest, most dazzling member, Louis Maistros. His debut novel is a thing of wonder, unlike anything in our literature. It startles. It stuns. It stupefies. No novel since CONFEDERACY OF DUNCES has done such justice to New Orleans. If Franz Kafka had been able to write like Peter Straub, this might have been the result."
Donald Harington,
Winner of the Robert Penn Warren Award and the Oxford-American Lifetime Achievement Award.

“The Sound of Building Coffins is easily one of the finest and truest pieces of New Orleans fiction I've ever read.”
- Poppy Z. Brite

“One has to write with considerable authenticity to pull off a story steeped in magic and swamp water that examines race and class, death and rebirth, Haitian voodoo, and the beginnings of jazz in 1891 New Orleans...The plot is complex and magical, grounded in the history of the city, without being overly sentimental. There is a comfort with death as a part of life in this work that reveals deep feeling for the city and its past....Highly recommended for all fiction collections, especially where there is an interest in jazz."
- Library Journal

Signed copies available exclusively on the net here at Louie’s Juke Joint, just click this link to order!

This website and all it contents Copyright 1997-2012
Louie and Elly Maistros