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SOLD!<br> LOUIS BELLSON!<br>Great Signed 8x10 from one of Jazz's greatest drummers

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A great shot of Bellson with a clear signature in black sharpie.

Below is a brief bio of Bellson by Scott Yanow of the All Music Guide, reprinted with Scott's kind permission:

One of the great drummers of all time (and one of the few whose name can be said in the same sentence with Buddy Rich), Louie Bellson has the rare ability to continually hold one's interest throughout a 15-minute solo. He became famous in the 1950s for using two bass drums simultaneously, but Bellson was never a gimmicky or overly bombastic player. In addition to being able to drive a big band to exciting effect, Bellson can play very quietly with a trio and sound quite satisfied.

Winner of a Gene Krupa talent contest while a teenager, Bellson was with the big bands of Benny Goodman (1943 and 1946), Tommy Dorsey (1947-49) and Harry James (1950-51) before replacing Sonny Greer with the Duke Ellington Orchestra. A talented writer, Bellson contributed "Skin Deep" and "The Hawk Talks" to Duke's permanent repertoire. He married Pearl Bailey in 1952 and the following year left Ellington to be her musical director. Bellson toured with Jazz at the Philharmonic (1954-55), recorded many dates in the 1950s for Verve and was with the Dorsey Brothers (1955-56), Count Basie (1962), Duke Ellington (1965-66) and Harry James (1966). He has been continually active up to the present day, leading big bands (different ones on the East and West Coasts), putting together combos for record dates, giving clinics for younger drummers and writing new music. Bellson has recorded extensively for Roulette (early '60s), Concord, Pablo and most recently Music Masters. -- Scott Yanow

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The Sound of Building Coffins
by Louis Maistros

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Quotes:

"Louis Maistros has written a lyrical, complex, and brave novel that takes enormous risks and pulls them all off. He is a writer to watch and keep reading, a writer to cherish."
Peter Straub

"The Society of North American Magic Realists welcomes its newest, most dazzling member, Louis Maistros. His debut novel is a thing of wonder, unlike anything in our literature. It startles. It stuns. It stupefies. No novel since CONFEDERACY OF DUNCES has done such justice to New Orleans. If Franz Kafka had been able to write like Peter Straub, this might have been the result."
Donald Harington,
Winner of the Robert Penn Warren Award and the Oxford-American Lifetime Achievement Award.

“The Sound of Building Coffins is easily one of the finest and truest pieces of New Orleans fiction I've ever read.”
- Poppy Z. Brite

“One has to write with considerable authenticity to pull off a story steeped in magic and swamp water that examines race and class, death and rebirth, Haitian voodoo, and the beginnings of jazz in 1891 New Orleans...The plot is complex and magical, grounded in the history of the city, without being overly sentimental. There is a comfort with death as a part of life in this work that reveals deep feeling for the city and its past....Highly recommended for all fiction collections, especially where there is an interest in jazz."
- Library Journal

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