Details: Imperial LP-9320, mono, black, green & red label with logo left of hole & "Division of Liberty" in perimeter, 1966 Condition: Vinyl G+ (many light scratches), Jacket VG- (good overall shape, no marks, price sticker on back, bottom seam mostly split, top seam beginning to split), Here's an interesting LP from the early career of Cher. It features Dr. John (credited as Mack Rebennack) on guitar, and New Orleans producer Harlold Batiste arranging and conducting. For Dr. John fans, this is a great glimpse at one of the good doctor's earliest sessions - before he switched from guitar to piano and changed his name to Dr. John! Sonny Bono produced the session and wrote the liner notes, in which he says, "Mack Rebennack, who talks so hip you need a de-coder to understand him, guitar" and "Harold Battiste, who bears a strong resemblance to Mr. Clean, arranger and conductor." The choice of songs is interesting, including some popular folk songs of the day by Bob Dylan, Paul Simon, Peter, Paul & Mary, etc.. Cher fan club information (of the day) is also noted on the back cover. Out of Print and Not Available as CD. The tracks are:
PLEASE NOTE: Unless otherwise noted, all of the LPs we are offering are used. Our grading system for each LP is strictly visual, as we don't have time to listen to each record from beginning to end. Unless otherwise stated, there is usually a small price sticker affixed somewhere on the back cover. |
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by Louis Maistros Signed copies available exclusively on the net here at Louie’s Juke Joint, just click this link to order! Quotes: "Louis Maistros has written a lyrical, complex, and brave novel that takes enormous risks and pulls them all off. He is a writer to watch and keep reading, a writer to cherish." "The Society of North American Magic Realists welcomes its newest, most dazzling member, Louis Maistros. His debut novel is a thing of wonder, unlike anything in our literature. It startles. It stuns. It stupefies. No novel since CONFEDERACY OF DUNCES has done such justice to New Orleans. If Franz Kafka had been able to write like Peter Straub, this might have been the result." “The Sound of Building Coffins is easily one of the finest and truest pieces of New Orleans fiction I've ever read.” “One has to write with considerable authenticity to pull off a story steeped in magic and swamp water that examines race and class, death and rebirth, Haitian voodoo, and the beginnings of jazz in 1891 New Orleans...The plot is complex and magical, grounded in the history of the city, without being overly sentimental. There is a comfort with death as a part of life in this work that reveals deep feeling for the city and its past....Highly recommended for all fiction collections, especially where there is an interest in jazz." Signed copies available exclusively on the net here at Louie’s Juke Joint, just click this link to order! |