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Offered here is a rare first edition copy of Buck Clayton's autobiography, "Buck Clayton's Jazz World", signed by Mr. Clayton himself.
Book and dust jacket are both in excellent condition. Mr Clayton has signed, "To Yvonne and Gordon/ Love/ Buck"
Buck Clayton was an excellent and prolific traditional and swing trumpet player who is probably most famous for his work with Billie Holidasy, The Kansas City FIve and Count Basie ut also led several excellent groups of his own. The following excellent biographical information by Ron Wynn is reprinted from the All Music Guide to Jazz:
'An excellent bandleader and accompanist for many vocalists including Billie Holiday, Buck Clayton
was a valued soloist with the Count Basie orchestra during the '30s and '40s, and later was a
celebrated studio and jam session player, writer and arranger. His tart, striking tone and melodic
dexterity were his trademark, and Clayton provided several charts for Basie's orchestra and many
other groups. Clayton began his career in California, where he organized a big band that had a
residency in China in 1934. When he returned, Clayton led a group and played with other local
bands. During a 1936 visit to Kansas City, he was invited to join Basie's orchestra as a replacement
for Hot Lips Page. Clayton was also featured on sessions with Lester Young, Teddy Wilson and
Holiday in the late '30s. He remained in the Basie band until 1943, when he left for army service.
After leaving the army, Clayton did arrangements for Basie, Benny Goodman, and Harry James
before forming a sextet in the late '40s. He toured Europe with this group in 1949 and 1950. Clayton
continued heading a combo during the '50s, and worked with Joe Bushkin, Tony Parenti and Jimmy
Rushing among others. He organized a series of outstanding recordings for Columbia in the mid-'50s
under the title Jam Session (compiled and reissued by Mosaic in 1993). There were sessions with
Rushing, Ruby Braff, and Nat Pierce. Clayton led a combo with Coleman Hawkins and J.J. Johnson
at the 1956 Newport Jazz Festival, then reunited with Goodman in 1957 at the Waldorf Astoria.
There was another European tour, this time with Mezz Mezzrow. He appeared in the 1956 film "The
Benny Goodman Story" and played the 1958 Brussels World Fair with Sidney Bechet. Clayton later
made another European visit with a Newport Jazz Festival tour. He joined Eddie Condon's band in
1959, a year after appearing in the film "Jazz On A Summer's Day." Clayton toured Japan and
Australia with Condon's group in 1964, and continued to revisit Europe throughout the '60s, often
with Humphrey Lyttelton's band, while playing festivals across the country. But lip and health
problems virtually ended his playing career in the late '60s. After a period outside of music, Clayton
once again became active in music, this time as a nonplaying arranger, touring Africa as part of a
State Department series in 1977. He provided arrangements and compositions for a 1974 Lyttleton
and Buddy Tate album, and did more jam session albums for Chiaroscuro in 1974 and 1975. He
also became an educator, teaching at Hunter College in the early '80s. Clayton led a group of Basie
sidemen on a European tour in 1983, then headed his own big band in 1987 that played almost
exclusively his compositions and arrangements. That same year Clayton's extensive autobiography
"Buck Clayton's Jazz World" with Nancy Miller-Elliot was published.' Ron Wynn, All Music Guide
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